Speaker Review

3050i Floorstanders From Q Acoustics 

Offered at an attractive price, Q Acoustics has released a set of enhanced floorstanding models. Paul Rigby reviews the 3050i speakers  

Yes, floorstanding speakers take up space and can be an eyesore to some but their sonic benefits are tempting indeed. Well-designed floorstanders, as opposed to standmounts with a bit of cabinet stuck underneath can, of course, be a boon for those users looking for enhanced lower frequencies but they can also be perfect for those with a great sounding, yet low powered amplifier. These speakers have a 91db sensitivity, for example. Ideal for a relatively low powered valve integrated, if you wish to be adventurous. They can also provide a truly balanced performance that can be attractive and addictive. 

To that effect, Q Acoustics hope to have you hooked to your music collection through their 3050i speakers.

3050i Floorstanders From Q Acoustics 

Sporting two, coated paper, mid/bass units of 165mm, finished with newly developed, low-hysteresis, rubber surrounds and a soft dome, decoupled 22mm treble unit, the speakers include HPE (Helmholtz Pressure Equalizer) technology designed to, “…convert pressure to velocity and reduce the overall pressure gradient within the speaker enclosure…” said the company. “This technology is perfect for taller loudspeakers that tend to resonate at a single favoured frequency.”

You’ll find enhanced design features over the earlier 3050 model such as extra work on the cabinet in terms of extra bracing, infusing the cabinet with strength. While we’re on the subject of meat, the cabinet baffle has also been bolstered to provide a better foundation for the drivers on the front.

3050i Floorstanders From Q Acoustics 

Arriving in Graphite grey, English Walnut, Carbon black or Arctic white with a chrome bezel that frames the drivers to provide visual highlights, the whole lot can be covered, if you wish, by magnetically attached grills. I removed mine for the sound tests.

The speakers use “low profile” binding posts that accept 4mm Banana Plugs. The idea behind that was to avoid terminal cut outs to improve cabinet structural integrity. They worked very well. 

Spanning 310 x 1020 x 310mm, each speaker weighs in at 17.8kg.


I began with vinyl and Public Image Ltd’s This is What you Want…This is What You Get LP (1984) and the track, Bad Life.

First impression from the 3050i speakers was that the sound, in its broadest sense, was impressive. In terms of its overall sonic flavour and how high energy, dynamic music hits you. The music was presented in a big, bold and grand fashion. 

3050i Floorstanders From Q Acoustics 

Now, with any pair of speakers, you start talking like that and what normally follows is a concurrent lack of finesse but not here. The 3050i speakers provided plenty of that too. Hence, there was a delicate balance with, on one hand, lower frequency strength and, on the other, detail from the upper mids.

Let’s begin with the deep stuff. Bass was big, it was powerful and it delivered with heft but it never swamped the soundstage. Yes, there was punch and mass but it knew its place. It never threatened to invade the space allocated to the midrange. Hence, any air produced by the midrange was allowed to flow, the bass didn’t swamp or mask any of the more fragile aspects of the presentation. It merely sat alongside.

3050i Floorstanders From Q Acoustics 

Treble and midrange detail was heard in abundance with subtle sax effects easily tracked amongst the percussion and bass guitar. The measure of midrange insight meant that you always felt in touch with the subtle details, even in a raucous track such as this. 

But I wanted to investigate the upper frequencies further, so I loaded a Bing Crosby CD and Let A Smile be Your Umbrella on the album Bing With a Beat (Bluebird).

The beginning of this track begins with a busy series of percussive taps in which everything but drums are hit: the rims of drums, cymbal stands perhaps, coffee pots and flower vases maybe? Whatever they were, they were short and sharp tonal responses from the drum sticks. Oh and Crosby’s voice too. The Q Acoustics handled the lot with aplomb. And this is the thing about the 3050i speakers. Here I am going on about the bass in the text above but here, there was no hint that the upright bass, when it decided to join in, was being pushed forward in the mix, no sign that the lower frequencies were taking control. No, once more, balance reigned with each frequency type maintaining its true position, allowing the soundstage to sound measured and even in tone. 

3050i Floorstanders From Q Acoustics 

Hence, the percussion had plenty of space to maintain a delicacy during its initial tapping fest with treble in fine evidence while the contrasting Crosby baritone, full of delicate nuances and tiny degrees of emphasis here and there, provided a neat reflection of rough texture that gave the early part of the song a delightful relief. 

3050i Floorstanders From Q Acoustics 

As the rest of the jazz band launched into the track, I was happy to see enough instrumental separation that allowed even subtle elements of the music to ease through without any apparent effort. Hence the piano, which sat at the back of the mix, took full part of the song. Adding a sense of clarity but also richness to the output.


Q Acoustics should be congratulated for providing so many sonic goodies for the price here. The combination of midrange transparency and bass strength is pretty irresistible while all genres of music are treated with a sense of respect by these speakers. They never impose themselves upon the soundstage, they just allow the strengths of that piece of music to venture forth in a natural manner. 

The Q Acoustics 3050i speakers look good, they sound good and, by golly, the price is good too. What more could you ask for?


Price: £649

Tel: 01279 501111

Website: www.qacoustics.co.uk

GOOD: airy mids, crafted bass, detail, aesthetics, value for money

BAD: none


Don’t forget to check out my Facebook Group, The Audiophile Man: Hi-Fi & Music here: www.facebook.com/groups/theaudiophileman for exclusive postings, exclusive editorial and more!]


Pro-Ject RPM3 turntable

Trichord Dino phono amplifier

Leema Elements CD Player

Rega Brio-R amplifier

Spendor A1 speakers

Tellurium Q cables

Blue Horizon Professional Rack System

Harmonic Resolution Systems Noise Reduction Components

All vinyl was cleaned using an Audio Desk’s Ultrasonic Pro Vinyl Cleaner 

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  • Reply
    24th March 2019 at 5:15 pm

    Nice review Paul, big fan of q acoustics how do you think they compare to the concept 20s?

    • Reply
      Paul Rigby
      25th March 2019 at 10:40 am

      Thanks Eric – I’d say that these are superior to the 20s.

  • Reply
    26th March 2019 at 11:44 am

    Greta review, why only 8/10?😜

    • Reply
      Paul Rigby
      27th March 2019 at 11:43 am

      Hi Umberto – please check out the explanation of my ratings system here: https://theaudiophileman.com/reviews-explained/
      As you can see, my ‘8’ is the same as a full mark, award-type rating you might see in a magazine. So, these speakers are receiving their due in terms of praise. It’s just that, when I started this site, I didn’t want to be cornered, I wanted elbow room 🙂 As you can see via the explanation in the link.

  • Reply
    17th September 2019 at 9:17 am

    Hi Paul. I’ve had a pair of these speakers since I upgraded from Rega R1s last year and I’m very pleased with them. I’m tentatively looking to upgrade my amp from Marantz PM6005 and I’m quite impressed by the reviews of the Audiolab 6000A. Any idea how well it would pair with these speakers? My opportunity to audition the setup before buying is very limited so I’d appreciate your opinion.
    Thanks. Paul

    • Reply
      Paul Rigby
      17th September 2019 at 12:12 pm

      Hi Paul – many thanks for your question. Yep, the 6000a would match very nicely with these speakers. I’d say to go for it! 🙂

  • Reply
    7th November 2019 at 3:49 pm

    Hi again Paul. Good to see you have reviewed these, which I am considering to pair with an integrated amplifier and streamer. I am still doubting with the Dali Oberon 5 (which are a bit ahead in design I would say, and although it should not be the main argument it plays a role) and the Dynaudio Emit M30 which I found for a quite reasonable price in my town. The 3050 are still the best priced though. Any idea how they rate compared to those two others?

    • Reply
      Paul Rigby
      8th November 2019 at 1:47 pm

      Hi Jonas – I wouldn’t compare them to the Dynaudios because the latter are twice the price. Different ball game, I reckon. I would say that the Q Acustics are better balanced in tonal terms but the Dalis are excellent and offer great detail. I would try and grab a demo because you own ears will be the deciding factor.

  • Reply
    24th November 2019 at 5:36 am

    Hi Paul, what would your be your take between the Dali Oberon 5 vs QA acoustics 3050s paired with a Yamaha Rn-602?? I listen in a 25 sq meters room.. Momentarily to a MA Bronze 2 speakers that I’m are very tiresome with ..bleeding to my ears, bright, not balanced enough….and so on, that I want to replace !!! Thank you! Both speakers are having tremendous huge discounts this week in Romania… Which one would you choose for this specific situation???? Thanks!!… I know I’ve already bothered you enough, but anything added is very much welcomed and appreciated. Thank you… And sorry

  • Reply
    24th November 2019 at 11:25 am


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