CD Player review

6000CDT CD Transport From Audiolab

A basic, simple, stripped CD transport? In this day and age? Isn’t Audiolab reading the script? Paul Rigby reviews, salutes and offers live sacrifices to this incredible machine  

I never thought I’d see the day. The Audiolab 6000CDT is a CD transport. I say again, it’s a CD transport. And…nothing else. Nothing. There’s no Bluetooth. There’s no headphone socket. No networking this or wireless that. 

It’s a transport. You put a CD in it. That’s the deal. 

Let me explain why that’s a talking point. The hi-fi industry has got its knickers in a twist about packing every chassis it can find with “added value”. Which also means a safer bet for “higher profits”. It’s the shotgun approach. Pack enough goodies into a box and some passing hi-fi fan will surely like at least one of those included features and so you’ll be assured a sale. Modern hi-fi kit is turning into mini-department stores. Each component is becoming its own one-stop shop. 

So all-in-one units are in vogue but cross-over components are very common indeed. Headphone amps have DACs, integrated amps include Bluetooth, turntables feature USB plugs and phono amps and so it goes. 

6000CDT CD Transport From Audiolab

The trouble is, hi-fi components don’t like being placed in close proximity with each other because of cross contamination of electrical noise that results in a veiling of subtle and nuanced information. It damages the delicate stuff in sound. It’s not a good thing. Hi-fi components much prefer to be separate and alone. Isolate a hi-fi component and it will reward you with better sound. 

So, for example, there’s plenty of great integrated amps out there but there’s even better sounding pre-amp/power amp combos out there too. Why? Because you’ve isolated the pre-amp bit from the power amp bit. Separate the power amp into two separate monoblocks and sound quality takes a further hike upwards. You can apply the same theory to any component in the hi-fi chain. That includes separating an integrated CD player into a transport and DAC.

This box from Audiolab, the 6000CDT, is different from the rest because it’s stripped of extra technologies. It moves against the grain and accepted wisdom. Because of that, it had my attention and I had only taken the thing out of the box. I hadn’t even put the plug in yet.

6000CDT CD Transport From Audiolab

OK, so it’s a simple box that does one job and that’s a novelty in this day and age. So what else?

The 6000CDT fits very easily into the Audiolab family in terms of aesthetics. If you happen to have a 6000A amplifier, for example, then you’ll notice that the 6000CDT is a perfect visual match for that. 

It also uses the same slot-type transport as seen on the 8300CD (which is priced around the £1,000 mark). I’ve had a love-hate relationship with slot-type transports in the past. Many have a bad attitude. Some work when they want to and others demand that you play out a strange dance if you want to listen to your CD with any sort of success. For example, I remember one example from the past that will remain nameless where you had to rest the CD in the slot. Pause. Then give it a gentle nudge. Anything else and the transport would spit out the disc. Thankfully, the Audiolab removes this sort of palaver. It’s firm, solid and works as it should. Which is a big relief. 

Better still, in operation, the transport uses built-in memory that reads ahead to reduce errors.

6000CDT CD Transport From Audiolab

The thorny issue of jitter is also addressed by Audiolab. Jitter is an odd thing – it sounds odd too. Jitter is supposedly produced by digital storage hardware, creating variations in the bitstream that changes the sound waveform itself (although there are also thoughts that jitter is fixed and is part of the actual disc itself in varying levels and that it is pressed into the disc during imperfect duplication). If I was forced to find an analogue comparison, I’d probably compare the overall effect to wow and flutter on a turntable (I know, it’s not exactly the same but it’s a generalised comparison). So, even though the information itself is, as it where, ‘perfect’ the jitter shifts that information about a bit. So you get timing errors. The sound takes on a slightly distorted demeanour. Jitter (wherever it might come from) has been a problem for a long time and the original developers of the first CD technologies were all too aware of the effect. Apparently, even a 0.1 nanosecond jitter shift is audible – that’s how sensitive our ears are, folks.

To combat this effect, Audiolab took it upon itself to have a temperature-compensated crystal oscillator master clock installed to lower the jitter effect at the transport end of the equation. Audiolab says that the jitter effects are “vanishingly low” but we’ll see about that during the sound tests. 

6000CDT CD Transport From Audiolab

More than that, the coaxial output has been looked at and isolated to reduce noise. This is the most important socket on the 6000CDT because this will be the socket that connects to your DAC. On the 6000CDT, the coaxial socket is fed from a differential line driver.

The box itself is simple, minimal and to the point. The front offers a CD loading slot, stand-by button and standard CD play buttons. 

The rear? Apart from the in-house trigger buttons to connect to other Audiolab products, you get a power socket, rocker power switch and two digital outs. That’s it. 

To me, the 6000CDT is beautiful. Not because it has been styled or moulded or has fancy bits of metal stuck all over it. No, I think it is beautiful because it is simple. I hoped that the philosophy of the outer chassis would be replicated inside too.

SOUND QUALITY

I began by comparing this specialist CD transport with an integrated CD player (i.e. a CD player where the transport and DAC exist within a single chassis). 

Because of budget restrictions, many users upgrade their CD player in stages and gradually, not by buying a brand-new CD player but by plugging that CD player into another DAC. The integrated CD player then becomes a sort of make-shift transport. 

To save cash and to begin with, the ‘new’ DAC is often the unit sitting in their amplifier (maybe the amplifier is newer and the amp’s DAC of a superior specification). Later, they will upgrade again and buy a separate DAC for their make-shift transport. That is, they will plug in a new DAC into the back of an integrated CD player. 

I wanted to test both of these scenarios with the 6000CDT. Just to see if I could hear any sonic differences.

I connected my reference integrated CD player to the Audiolab 6000A amplifier. The DAC inside a 6000A is an ES9018 Sabre32 Reference, so well worth exploiting.

At this point, the reference transport was used to play the 6000A’s DAC. Then I removed the integrated CD player and then connected the 6000CDT transport to the 6000A amplifier and noted the difference.

Doing the test, I played Out on the Weekend from Neil Young on the 1972 album, Harvest (Reprise).

Just how would the specialist transport compare to the transport from the all-round CD player? Is a specialist transport really any better in performance terms? Just how different is the 6000CDT?

6000CDT CD Transport From Audiolab

It’s different. Completely different. “Hey, have you just put on a different CD?”-different. That’s how different.

The leap in quality was quite shocking, actually. Imagine you’ve drawn a picture of your living room on a piece of paper. It’s a sort of comic-strip effect drawing with everything you know in the room, on that paper. It’s a familiar sight but, as I say, it’s on paper. That’s the reference CD player reference (which I hasted to add was three times the price of the 6000CDT). 

Then walk into the real 3D, living (and breathing) room. Walk around in it. Look side on and behind. Jump up and down in it. 

That’s the 6000CDT.

That’s how different.

That’s not to deride my reference either, which is a superb integrated CD player and knocks spots off much of the competition at a similar price. It is highly recommended as an integrated CD player. The thing is, though, it is integrated. It is not a specialist transport. In some ways, it’s terribly unfair on my reference to use it in this fashion but that’s what many hi-fi users do. To upgrade their CD, they add a separate DAC and use the old player as a transport. It’s a standard fudge. So, to that effect, the fact that I used this particular integrated CD player in this test is immaterial. I could have used one of dozens of different branded integrateds and the same result would have occurred.

In fact, I did. I quickly brought in a mid-priced CD player by Cambridge just for this brief test. Another very nice CD player. Excellent. Again, highly recommended as an integrated CD player. Same result? Same result.  

The Audiolab 6000CDT is a specialist you see. That’s the difference here. It’s designed to do one job. It does it superbly. 

6000CDT CD Transport From Audiolab

OK, so how in sonic terms?

First off is the soundstage. This is the place that contains the music. This is where the music comes from. Get this framework right and the quality of the music will have more chance to shine. The 6000CDT does just that because the soundstage was completely remodelled. Which is why I really did think for a brief second that I’d put a new CD on to play. The effect was more than 3D. The music was pushed backwards but not just at the stereo image point – a usual place for 3D effects to occur. No, more than that, space was pushed left and right too, right across the breath of the soundstage. This gave a large rectangular space at the rear of the soundstage for the music to work with. And space is what increased here, lots and lots of space. This meant that the guitar sounded, how to describe this, ‘alone’ is what I’m scrambling for here. I felt that I could have got up off my listening chair and moved my hands around the sides and back of the guitar and never touched the guitar or what was next to it. There seemed to be a discernible gap between it and the vocal.

Detail was much increased too – tonal variation was also increased but more than that, I was hearing far more resonance vibration from the strings. Those little imperfections that tell you that a human being is playing this thing. They added emotion to the guitar playing. 

The drums too were different. Bigger with a slightly hollow sound that suggested that these drums had size but not necessarily mass. It was a great effect because the tonal effects added realism to the overall arrangement. 

Young’s vocal now had an almost lost little boy feel to them. An innocence that just wasn’t present beforehand.

The other great thing about the 6000CDT was the instrumental separation. Previously, the cymbal strikes and hard, pumping acoustic guitar strums occurred at exactly the same moment so hearing the cymbal strikes on their own was a tough call. Not now. Oh no. I could plainly hear both and separate too. That one element sold the 6000CDT as a valid piece of hi-fi equipment to me. Right there, I was a convert. 

I then turned to Rosemary Clooney’s Bluebird CD release of the original 1960 album, Rosie Solves the Swinging Riddle, with arrangements from Nelson Riddle and the track, Get Me To The Church on Time. 

The presentation provided lots of atmosphere because Clooney sounded like she was recording her track in a large auditorium in front of a live orchestra. That sense of space, the grandeur and the sense of immediacy was there in buckets, with plenty of reverb from the upper mids swilling around, adding a vivacity and energy to the piece. Tubular bells and cymbal taps offered delicacy and fragility from the treble area while percussion provided welcome tonal balance in bass terms. Transients were sharp and accurate while trumpets and saxes were both clean yet resonant.

I then removed the 6000CDT from the 6000A amplifier. 

It was time to move the test onwards. To get serious, as it where. I wanted to move away from a built-in DAC and find an external model. So I hooked the 6000CDT to the most basic, the cheapest of modern DACs I could find. In my case an iFi iOne DAC, priced around £200 or less. And a brilliant little DAC it is at this price point. 

So, in effect, you’re looking at a complete CD player (i.e. transport plus DAC) for somewhere in the region of £500. Give or take.  

As an ‘unfair’ comparison, I brought in a ringer (which you won’t find in the reference list below). A highly respected, award-winning integrated CD player costing around £1,000. 

It should have walked all over the 6000CDT/iOne combination. It didn’t. In fact, the results were turned around. The 6000CDT/iOne walked all over the respected, award-winning integrated CD player. 

I sat there for a bit. Just a bit stunned. And not to say just a bit excited as well.

To repeat, this £500 (or so) transport/DAC combo not only out-performed a top of the line, £1,000 CD player, a CD player that in itself has vanquished most of the immediate competition but it flew way above that CD player’s performance level.

How exactly? Firstly, Audiolab’s now familiar tonal balance. I heard this on the 6000A amplifier and I now heard it on the 6000CDT transport. The notion of allowing bass a position in the overall tonal presentation appears obvious but is rarely, properly heard on hi-fi under £1,000. On the 6000CDT, bass was abundant but never over-arching. It never swamped the soundstage and didn’t here. What it did was make sense of drums, make sense of bass guitar and added weight to the strums of the acoustic guitar. That bass wasn’t just a tone either, it was organic and characterful. There was detail and information here. That separate, isolated DAC decreased noise, increased detail, air and space in and around the midrange, allowing those essential and tiny details to spew forth.

The midrange was never bothered by bass. It occupied its own space and gave the ear more than enough detail to fascinate. The guitar on the Audiolab/iFi combo was now open, informative, sparkling and sounded like a collection of strings pinned to a resonant box. The ‘famous’ CD player muddied the sound, in comparison. 

One more notable element, the 6000CDT/iFi produced a quite superb treble response. Light, delicate with reverb tails a-plenty. You could hear the treble on the integrated CD player but you had to work a little to separate it from the background. It sounded a little dull when compared to the 6000CDT/iFi. 

Look, I won’t name the CD player. The manufacturer was kind enough to loan it to me and I wasn’t going to reward them by performing a hit job on their pride and joy. Also, I don’t want to point the finger at this CD player and infer that it’s not up to the job. It is up to the job, as an integrated CD player. It remains excellent. A superb CD player. Trouble is, the 6000CDT has just moved the goalposts for all CD players under £1,000. Re-written the script. Invented a whole new ball game.  

I then removed the 6000A amplifier and allowed the transport to specialise even further, adding an improved DAC to it. In this case, the Chord Qute HD and swopped over to Rosemary Clooney.

Connected to this specialist DAC, the 6000CDT offered an increase in maturity and sheer quality.

So cymbal taps sounded full and rich in variation while the tubular bell strikes (the wedding bells from the song, I guess) now offered a real, deep, right from the gut response to being hit by the hammers. The bell sound sounded like they started from deep within the bell and rose up from there. The sound was full and rather majestic.  

Clooney’s vocal also now had a smile in her voice. She was obviously enjoying herself here. You could actually hear her grinning as she was singing certain lines. The undertone from Clooney was, “This is fun!”

OK, good, good, good. Shall we step it up again? I upgraded the DAC once more to a yet more expensive Benchmark. Switching quickly back to Neil Young, the music now sounded…expensive. Rich and fruity in terms of natural detail with a combination of authority and tonal balance, the 6000CDT shouted quality from the rafters. Everything from the characterful acoustic guitar drums, the decisive thuds from the percussion, the melancholic howl from the lead guitar, the multi-layered response from the harmonica. The effect was wholly impressive.

The enhancements were obviously greatest with the more expensive Benchmark DAC (priced around the 2k mark) but were just as effective with my old Chord Qute HD (which you can pick up for around £500 from eBay) and the low cost iFi iOne at £200. 

Consider this critical fact, though. The 6000CDT registered and allowed for a vast increase in sonic quality from the iFi iOne to the Chord and from the Chord to the Benchmark. This is further proof that the 6000CDT is not a bottleneck in itself. The CDT6000 has plenty of capacity in terms of sonic improvement. There is no hint that the 6000CDT hampers any future upgrade. Confirmation that the 6000CDT is quality. It can take upgrade, after upgrade, after upgrade and the sound continues to improve. The 6000CDT moves up a gear each time. How far can it go? I have no idea yet. I had to stop somewhere, to publish this review so the jury is out. I have no idea how good the CDT6000 actually is yet. That, my friends, is pretty thrilling stuff.

You should see the 6000CDT as a secure investment to a long (long) term CD upgrade path, therefore.

CONCLUSION

I have to ask you this. Why aren’t we all jumping up and down, celebrating and organising street parties to salute the Audiolab 6000CDT CD transport? This box is a major entrant onto the hi-fi market place. It deserves the plaudits and more.

I had to look twice, no three times, at the price of this transport. The Audiolab screams quality, transforms an integrated amplifier’s built-in DAC, takes full advantage of a separate DAC, raises the quality of your CD music to ceiling busting heights and you’re only paying £379? Ha! Oh, really? Oh, yes. 

If you want to play your CD collection with a transport/DAC combination that will not only scare the living bejeebers out of dedicated integrated CD players of five times the price but also threatens to reduce every integrated CD player under £2,500 (maybe higher – I just don’t know yet) into aluminium-flavoured jelly, then grab one of these transports and hook it up to your favourite DAC. In fact buy two and keep the other as a backup, just in case. 

The 6000CDT revolutionises budget CD play. It’s as simple as that. And that’s why it does the job so well – it’s simplicity. That’s the key to the 6000CDT. It’s not stuffed and bloated with other useless features. Its purity of build and approach lifts CD quality sound to unimagined heights at this price point. As such, it’s well worth membership of the exclusive maximum score club – a Golden Groovy. All hail the Audiolab 6000CDT!


AUDIOLAB 6000CDT CD TRANSPORT

Price: £379

Website: www.audiolab.co.uk


GOOD: expansive soundstage, tonal realism, 3D presentation, simplicity of design 

BAD: nothing

RATING: 10


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REFERENCE

Benchmark DAC2 HGC
Chord Qute HD DAC
iFi iOne DAC
Leema Essentials CD Player

Audiolab 6000A amplifier

Aesthetix Calypso pre-amp

Icon Audio MB845 Mk.II monoblock amplifiers

Quad ESL-57 speakers with One Thing upgrade

Tellurium Q Statement cables

Gekko Purple Haze cables

Blue Horizon Professional Rack System

Harmonic Resolution Systems Noise Reduction Components

CAD GC1 Ground Controls

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34 Comments

  • Reply
    Steve
    12th July 2019 at 3:54 pm

    Hi Paul. I have the Moon ACE. Would you recommend this player with the DAC in the Moon?
    Thanks

    • Reply
      Paul Rigby
      12th July 2019 at 4:10 pm

      Absolutely – it would be a fine match Steve.

  • Reply
    Dennis
    12th July 2019 at 7:26 pm

    I have parasound halo integrated, would it be god with tbe sabre dac inside?
    Best regards

    • Reply
      Paul Rigby
      13th July 2019 at 11:51 am

      Hi Dennis – absolutely. A good match.

  • Reply
    Fernando
    13th July 2019 at 3:18 pm

    Hello Paul! I recently bought an mx-dac of Musical fidelity and am using it with my CD player Rotel RCD 1570. I was thinking of swapting the CD player for a dedicated transport. Do you recommend replacing the Rotel with audiolab transport?
    Great review!
    Greetings from Argentina…

    • Reply
      Paul Rigby
      14th July 2019 at 10:57 am

      Hi Fernando – yes, absolutely 🙂

  • Reply
    Richard
    13th July 2019 at 10:21 pm

    How about a standard audiolab m-dac?

    • Reply
      Paul Rigby
      14th July 2019 at 10:56 am

      Yep – won’t be an issue Richard.

  • Reply
    Ignacio Perez
    14th July 2019 at 3:21 pm

    Hi Paul, many thanks for the very interesting and useful review of the Audiolab. As indicated earlier, I am planning to replace my old C. Audio 640 Azur CD player and I had almost decided on the Rega Apollo which has received very good reviews. What is your opinion or advice? I note that in your review you mention an integrated CD player at around 1000 pounds and that the Audiolab was way better. Being a transport, how would you need to set up the Audiolab (do you need a DAC)? Look forward to your feedback. Best regards

    • Reply
      Paul Rigby
      14th July 2019 at 6:00 pm

      Hi Ignacio – I would buy this transport and make up the rest of the money you would have spent on the Rega with a quality DAC.

  • Reply
    michael nielsen
    14th July 2019 at 5:34 pm

    If this is true, then this must be the best cd-player ever.

    • Reply
      Paul Rigby
      14th July 2019 at 5:59 pm

      Not quite, Michael – but it is excellent 🙂

  • Reply
    Ignacio Perez
    14th July 2019 at 7:31 pm

    Many thanks for the quick feedback, Paul. Do you suggest a specific DAC?

    • Reply
      Paul Rigby
      14th July 2019 at 8:39 pm

      Hi Ignacio – what budget are you thinking about?

  • Reply
    Ignacio Perez
    14th July 2019 at 9:22 pm

    Thanks, Paul. Between 300 and 400 euros (basically what I would save getting the Audiolab instead of the Rega Apollo)

    • Reply
      Paul Rigby
      15th July 2019 at 12:15 pm

      H Ignacio – I would look at the most expensive DAC you can afford via Schiit. In terms of price/facilities/performance, the company offers a good blend for your money.

  • Reply
    Ignacio Perez
    15th July 2019 at 11:14 pm

    Many thanks again, Paul. For instance, the Bifrost? Would such a combination beat the Apollo in terms of musical quality?

    • Reply
      Paul Rigby
      16th July 2019 at 12:58 pm

      I would be confidant enough to say ‘yes’ on that even thought I have not reviewed the combo, Ignacio.

  • Reply
    Dermot
    16th July 2019 at 12:59 am

    Brilliant review as always. I always get very excited when the David’s slay the Goliath’s. This must be one very special machine. Unfortunately after 20 years without a CDP and, finally succumbing to the lure of the new Tangerine Dream ‘In Search of Hades’ mammoth box set on CD, I went and bought one! A cheap one all told but it’s a goodie. At least I can now listen to Tangerine Dream’s glory years with loads of unreleased stuff in tow. Naturally I felt a bit sick when I read your review but, at least I know now what to aim for in the near future. This player is an absolute must buy and I’d be a fool to ignore yet another lure into the the abyss. Or should it be Hades 😱

    One question if I may, and knowing very little about DACS, would my little FiiO X5 DAP work with this Audiolab transport?

    …….and don’t forget to review that box set as it’s only stunning!

    • Reply
      Paul Rigby
      16th July 2019 at 12:55 pm

      Hi Dermot – thanks for your kind words. Re the DAP, I don’t see why not. You just need the correct cable. I couldn’t get the box set in for review because of the label was a bit stingy re review samples. It’s on my ‘to buy’ list though 🙂

  • Reply
    Dermot
    16th July 2019 at 2:21 pm

    Good news Paul; The set sold out within days of its initial release but the good news is it’s getting a repress due to massive demand and is set for (re)release sometime in early August – https://burningshed.com/tangerine-dream_in-search-of-hades_boxset. So get your order in ASAP!

    Had a closer look at my Fiio X5 and there’s only a line/coax out port. Also there’s only an output from the Audiolab. So am I right in thinking that it won’t work? I need an input in one of them don’t I?

    • Reply
      Paul Rigby
      16th July 2019 at 3:04 pm

      Phew! Thanks Dermot.

      I suppose you could hook it up and listen through headphones on your DAP but yes, you will need to look elsewhere for a hi-fi connection. That iFi model I used in the review would be one budget choice. Schiit is another option re. value/performance.

  • Reply
    Dermot
    16th July 2019 at 3:27 pm

    Thanks for that Paul. That iFi model is calling me hither 😊

  • Reply
    Ignacio Perez
    17th July 2019 at 12:39 am

    Thanks again for the very useful advice, Paul. Rereading your review, I must say I’m very tempted to go for the Audiolab; it really seems one of a kind. However, I have asked a couple of hi fi dealers in Brussels (where I live) and none is enthusiastic about Audiolab (not the 6000 in particular). In fact, they don’t sell products from this brand anymore. Apparently, some models have not functioned well. They insist the Rega is a better option, more solid and more musical. So I’m a bit hesitant. Grateful for any further advice you can provide.

    • Reply
      Paul Rigby
      17th July 2019 at 10:38 am

      Hi Ignacio – hmmm 🙂 We all have our own personal sonic tastes and they are welcome to theirs. I would agree that Rega’s amps and CD players sound excellent and you won’t be disappointed if you do ever decide to go for Rega. I rate them highly. On a related note, if you do ever ask a hi-fi dealer for independent sound advice, just bear in mind that you’re also talking to a business man…who sells hi-fi…who has invested a lot of his own money in stock…and he’s trying to sell it…

  • Reply
    Ignacio Perez
    17th July 2019 at 11:45 am

    Many thanks again, Paul. You always provide useful and sound advice. Basically, what I’m looking for is a noticeable and audible improvement from my current C. Audio 640 player and not having or wishing to upgrade in one or two years’ time. Listening mainly to classical and jazz, what I look for in CD reproduction is a warm, enveloping and neutral sound, as close as possible to analog (obviously, I will not get that and for that I have the Planar 3). What I wonder is whether I can get something better than the Apollo Rega for the same price (around 750 EUR) if I go for the Audiolab. Roughly speaking, I would have 300 EUR left for the DAC and I’m not sure that will get me a very good unit. What do you think?

    • Reply
      Paul Rigby
      17th July 2019 at 1:07 pm

      Hi Iganacio – thanks for your kind words.

      Basically, with the Audiolab you’re getting a transport that is so good, it works well with a DAC priced at several thousand pounds. That’s how good it is. What this means is that, whenever you want to upgrade, you don’t need to upgrade the transport (I would say, you will never have to upgrade the transport ever again). From that point on, just upgrade the DAC. This means that your upgrades are cheaper (because you’re spending money only on the DAC, not the transport too) and more efficient because you’ll be buying DACs from specialist DAC manufacturers. If you do upgrade you know that the better DAC will improve sound by large amounts. You also maximise your money and its value because of that. I noticed a big improvement in sound connecting the 6000CDT to a little iFi DAC of £200. The better the DAC, the better the sound.

  • Reply
    Ignacio Perez
    17th July 2019 at 2:09 pm

    Thanks again, Paul. So, if I were to spend between £250/300 on the DAC, which one(s) would you recommend? Would that combinatiion be a noticeable improvement over the Rega Apollo?

    • Reply
      Paul Rigby
      17th July 2019 at 2:29 pm

      Hi Ignacio – at that price, you tend to get great value from Schiit equipment. Buy the best one you can afford. And yes, I would say so.

  • Reply
    Craig Stenstrom
    18th July 2019 at 11:37 pm

    Awesome review. I may have to upgrade my modified Sony Playstation 1.

  • Reply
    Ben Armine
    23rd July 2019 at 4:39 pm

    Another no-nonsense review. The comparison with the Rega Apollo is intriguing. One thing I would like to know is the manufacturer of the actual drives in each of the transports. For example are the actual drives manufactured by Audiolab or Rega, in the same way that Cyrus manufacture their own drives (caveat: as far as I know). Instinct suggests a top loader will have the mechanical edge over a slot loader. Is there any further advice you can offer, Paul?

    • Reply
      Paul Rigby
      23rd July 2019 at 5:22 pm

      Hi Ben – firstly, I never mentioned a Rega CD player in my review 🙂 Nevertheless, thanks for your kind words. As for drive sources, etc. The nature of the source is less important to me than its implementation. The purity of the Audiolab build and the company’s low noise approach to its design is what stands out.

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